A revival for Sir David McVicar's staging from last season, but this time reverting from French to the four-act Italian version, conducted by Carlo Rizzi. Met Opera | April 22, 2023 . Instead, Feolas has greater weight and heft, especially in the middle range where she has brightness but also potency that cuts through. Have lunch with the cast of Rigoletto and hear excerpts from Verdi's masterpiece along with . One of the things that is so incredible about Rigoletto within Verdis oeuvre is its pacing. His entire duet with Rigoletto in Act one was fascinating, the bass digging into his thick and earthy tone with each phrase. Of course, Scappucci has license to interpret those tempo indications as she sees fit. Verdi: Rigoletto: Directed by Gary Halvorson. It was one of the finest pieces of staging throughout the night and Feolas commitment was what truly made it work. He captures the insouciant elegance of the opening scene, with neatly executed turns in Questa o quella, as well as he does the bravado swagger of the final act. She frequently sings at Moscows Bolshoi Theatre, Deutsche Oper Berlin, Teatro dellOpera di Roma, and LA Opera. He made his Met debut with a production of Il Barbiere di Siviglia during the 200607 season, followed by stagings of Les Contes dHoffmann, LElisir dAmore, Otello, and Romo et Juliette, as well as the company premieres of Le Comte Ory and Nico Muhlys Two Boys. But then the turntable starts to move. Other aspects work better, including the dark alley scene between Rigoletto and Sparafucile, which also makes an argument for the less is more principle. Nicholas Carter makes his Met debut conducting a remarkable ensemble, which also features soprano Brenda Rae as Ophelia, mezzo-soprano Sarah Connolly as Gertrude, baritone Rod Gilfry as Claudius, and legendary bass John Tomlinson as the ghost of Hamlet's father. He has conducted all of the major Italian symphony orchestras, as well as many throughout Europe, and has also led productions at La Scala, Staatsoper Berlin, Dutch National Opera, the Paris Opera, Pesaros Rossini Opera Festival, and in Aix-en-Provence, Valencia, Venice, Madrid, Stuttgart, Zurich, Tokyo, Rome, and Naples, among others. If you are using Internet Explorer or other browsers you may encounter problems with certain sections of our website. During the ensuing scene with Gilda, he was fierce in his defense of Gilda, staring down the other men and ordering them out. This choice also fit in nicely with the coloratura, generating a fluidity throughout. You can always feel tenors getting ready for this big moment and then when it comes, they drag it out, which unfortunately undercuts everything else that makes this aria so emblematic of the Dukes character. It was hard to decipher what was going on and the fact that this kind of abstraction was never hinted at our set up anywhere else in the production (which was played as straight as possible) took you right out of the moment. The Metropolitan Opera: Rigoletto (2022) movie cast and actor biographies. We might use this to show you more relevant content, We might use this to let you know about interesting events to attend near you, We might use this to address you personally in our newsletters. Russian mezzo-soprano Yulia Matochkina makes her Met debut as Maddalena. Even in the lower reaches of this section, his voice retained that gentility, always soft and warm. Francesco Maria Piave (181076), Verdis librettist for Rigoletto, collaborated with him on ten works, including Ernani, La Traviata, La Forza del Destino, and the original versions of Macbeth and Simon Boccanegra. Please check if you entered the email address correctly. Description New production. Baritone Quinn Kelsey portrays the title role at the Met for the first time, starring alongside soprano Rosa Feola as Gilda and tenor Piotr Beczaa as the Duke of Mantua. Director: Leo Paur. Jen has worked at KPBS since 2000. Audio from the December 31, 2021, as well as the January 4, 19, and June 8, 2022, performances will be streamed live on the Mets website, metopera.org. During the quartet, Bella figlia dellamore, Bernheim delivered another display of glorious legato singing. Taking in the work on Monday, Nov. 14, 2022 for the first time in years, her words resonated rather deeply with me. And when she exited the Dukes room, she moved about the space slowly, her eyes downcast, searching for a place to be alone. Italian conductor Daniele Rustioni returns to the Met after previously conducting Aida in 2017. [June 4, 2022, Encore on June 8, 2022] Check out the entire Met Opera season! He earned a Tony Award for directing South Pacific in 2008 and received Tony nominations for his Broadway productions of Golden Boy, Joe Turners Come and Gone, Awake and Sing!, and The Light in the Piazza. During the trio, he erupted with the firepower that hed displayed in Don Carlo, his voice booming over the orchestral torrent, his phrasing precise and pointed. She made her debut at the Salzburg Festival in 2019, where she sang the role of Federica in a concert performance ofLuisa Miller. The Tony Award-winning creative team, including director Bartlett Sher, set designer Michael Yeargan, costume designer Catherine Zuber, and lighting designer Donald Holder, sets the classic tragedy in 1920s Europe, featuring Art Deco sets and elegant costumes. Taking on that task in this production was Speranza Scappucci, making her Metropolitan Opera debut. He remarks how both men are similarly toxic, a comparison that the opera continually draws between all the male characters as the story develops. The Metropolitan Opera Announces 202324 Season, Review: Mets New LOHENGRIN Is Thrillingly Sung but Close Your Eyes and Listen, The 2023 George London Award Winners Are Announced; Five Young Opera Singers Win $12,000 Prize, Review: THE SAN DIEGO OPERA'S PUCCINI DUO at San Diego Civic Center Theater. It will help us make your newsletter content more useful. SAS Performing Arts Concert Opera presents the only New York City performance of the Puccini work Il Trittico. Marullo, signore, tu chhai lalma gentil come il core retained some of the edge and accents, with the final ohime of the section sounding bitter, almost as if Rigoletto were disgusted at having to plead with these vil razza for help. Maestro Daniele Rustioni leads Verdis timeless tragedy reset in 1920s Europe by Tony-winning director Bartlett Sher. It all started even a few bars earlier with a honeyed rendition of Ogni saggezza chiudesi nel gaudio e nellamore, Bernheim bringing managing a spellbinding diminuendo up the F sharp in the second half of the phrase. Rigoletto at the Met, Spring Cast May 2, 2013. . Quinn Kelsey and Rosa Feola as Gilda in a scene from Verdi's "Rigoletto." Premieres Friday, June 17, 2022 at 9 p.m. on KPBS 2 / On demand with PBS Video App Baritone Quinn Kelsey portrays the. In a remarkable career spanning six decades in the theater, Giuseppe Verdi (18131901) composed 26 operas, at least half of which are at the core of todays repertoire. Grinnell College will stream "Rigoletto" on Jan. 29 as part of the Met's 2021-22 Live in HD season. Whats left to say, but that vocally this was some of the finest casts that the Met has assembled for a production this season. Genre: Opera. The mezzo-soprano Aigul Akhmetshina is making her debut in the role of Maddalena. . and purity of tone. If you are using Internet Explorer or other browsers you may encounter problems with certain sections of our website. and bright color palettes that have served him best in Rossini comedies at the Met are also on display. The strength of the cast extended all the way to the smaller roles, with Bradley Garvin, terrifying and commanding as Monterone, and Brittany Renee, displaying a megawatt charisma as Countess Ceprano, as the standouts. For further details on Rigoletto, including casting by date, please click here. You could sense the insecurity she felt upon finding the Duke, her body shifting into a protective shell before allowing herself to be taken by him. Samson et Dalila (Saint-Sans) Tosca (Puccini) The Elixir of Love (Donizetti) Soprano Tamara Wilson portrays the virtuous duchess Elsa, falsely . Victor Hugos 1832 play Le Roi sAmuse, set at the court of King Franois I of France (circa 1520), is a blatant depiction of depraved authority. But when he commenced Deh, non parlare al misero, his voice took on a honeyed hue full of yearning. His other recent performances include Cavaradossi in Tosca at the Vienna State Opera, des Grieux in Manon in Zurich, and Rodolfo in Luisa Miller at Gran Teatre del Liceu in Barcelona. Keep up with all the latest news, arts and culture, and TV highlights from KPBS. Bartlett Sher previously staged Rigoletto in Berlin in June 2019 and October 2019. Arizona Opera officially announced its 2023/24 Season, featuring four opera productions including a World Premiere in Phoenix and Tucson, as well as the companys inauguralNew Works Festivalin Phoenix, and a new series of community concerts in Tucson. With his big shoulders, big jaw, and his great, shiny Half Dome of a head, Kelsey gives Rigoletto immense presence even before he opens his mouth. A dream cast assembles for Strauss's grand Viennese comedy. Met Opera | December 17, 2022. Find The Metropolitan Opera on Facebook (opens new window), Find The Metropolitan Opera on Twitter (opens new window), Find The Metropolitan Opera on Instagram (opens new window). If you are using Internet Explorer or other browsers you may encounter problems with certain sections of our website. Cortigiani starts off with just strings, the violins playing triplet sixteenths, the violas and celli answering with their own intermittent triplet sixteenths, and the bass providing a repeated eighth pedal that lends weight and grounding to the scurrying violins. The performance of Rigoletto on Saturday, January 29, 2022, will be transmitted live to cinemas around the globe as part of The Met: Live in HD series and broadcast over the Toll BrothersMetropolitan Opera International Radio Network. Mozart's Idomeneo. MEET THE STARS LUNCHEON. NYT Critic's Pick. GREAT PERFORMANCES is on Facebook+ follow @GPerfPBS on Twitter. But as the aria transitioned away from anger toward pleading, his voice correspondingly softened. Met Opera | April 15, 2023. She has conducted Verdi's Rigoletto at the Hamburg State Opera, Theater Freiburg, and Malm Opera. The restatement of the main melody was delivered with an even more intimate and sensual piano. You could feel the fear, the shame, the pain, and in one brief moment, the anger of what had happened to her. Then there were tempo shifts that seemed to come out of nowhere, breaking the flow of the momentum and jerking you out of the action; moreover, they often felt out of control and unstable, rushing forward initially and then calming down. She is originally from Las Vegas and attended UNLV. This product includes GeoLite2 data created by MaxMind, available from, Guilty pleasures: Yoncheva stars in a new, A fine showing for the 1884 Italian version of, To add a comment, please sign in or register. The Age - Thu, 31 Oct 2019 . Miei signori, perdono, pietate! featured some of the most captivating legato singing from the baritone on the evening, his voice practically weeping with every phrase, Rigolettos heart on his sleeve; the final Pietas during the cadenza, descending from the high F, were diminuendoed with such intensity so to depict heart-wrenching desperation and final one crescendoed and portamentoed into the high D flat with similar intensity. When the Page arrives, he recovered his strength, his voice growing metallic and accented, almost speaking some of the notes. American set designer Michael Yeargan has designed more than a dozen productions for the Met, including the Gershwins Porgy and Bess, Romo et Juliette, LElisir dAmore, Les Contes dHoffmann, Le Comte Ory, and Il Barbiere di Siviglia. Later this season, he sings Lenski in Eugene Onegin at the Met. A Verdi favorite, Rigoletto is set in the rich and decadent Italian Renaissance and features some of opera's most famous arias! But Pari siamo also allows us to see the purity and hope inside of Rigolettos heart, the possibility of him separating himself from the pack of predators. And in this case, there is nothing confusing about the Act three trio, which is as straightforward as Rigoletto gets both musically and dramatically (there is nothing subtle about a murder performed with a ghostly choral accompaniment and underscored by an orchestral thunderstorm). Rigoletto Music by Giuseppe Verdi Libretto by Francesco Maria Piave Premiered March 11, 1851, La Fenice (Venice, Italy) Verdi's Italian masterpiece opens Opera Colorado's 40th Anniversary Season, featuring unforgettable music, including the effervescent "La donna mobile." After the passion of that top note, the tenor pulled back to his most gentle piano of the passage before crescendoing once more into a final impassioned forte on the final G flat. Metropolitan Opera Announces Cast Change For RIGOLETTO Performances are May 28 and June 1, 4, 8, and 11. by Stephi Wild May. She has also sung Gilda at the Bavarian State Opera, Lyric Opera of Chicago, Ravenna Festival, and in Rome, Zurich, Turin, and Savona. As the passage drew to its conclusion, he thundered on the final Ah no, follia, the voice vibrant and powerful on the high E. More remarkable still was how contained Kelsey was on stage, and yet his body language expressed every one of these emotions. His first Gilda! The arias tempo marking is Andante mosso agitato while the preceding tempo indication is a faster one Allegro vivo. In their Met debuts, Yulia Matochkina sings Maddalena, and Ante Jerkunica sings Sparafucile. The 70-minute work, scored for four singers and instrumental septet, is a lighthearted science-fiction opera that looks at the purpose of art in challenging times through the lens of comedy. The climactic final B natural, and the preceding run, were delivered with bravura, the high note reverberating throughout the cavernous Met. Confusion, unless part of the thematic underpinning of the story, never makes for good storytelling. His Chi tha colpita? Quinn Kelsey and Rosa Feola lead a superb cast in Bartlett Sher's new staging of Verdi's classic drama. His role in Italys cultural and political development has made him an icon in his native country. She has also held tenures as deputy music director of Staatsoper Hamburg, interim chief conductor at the Maribor Slovene National Theatre, and first kapellmeister at the Vienna Volksoper. The announcement was made via the company's social media page and no reason was given for the replacement. This first came into prominence during the operas big concertato moment, Ah, siempre tu spingi lo scherzo allestremo where the tempo ramped up to chaotic effect for the singers; it took them a few bars to find themselves back in synch with the conductor. Note for note, moment for moment, this without any doubt in my mind is the most compelling Rigoletto that Ive heard at the Met in a decade. Classical Music Opera The Met: "Rigoletto" (Review) Feb. 8 and Feb. 19 at 8, Feb. 12 at 7:30, and Feb. 16 at 1: . SAS Performing Arts Concert Opera presents the only New York City performance of the Puccini work Il Trittico. In the role of Sparafucile, Relyea continued his revival with the company. From her feverish rushing down the stairs to greet her father, you could sense a character full of energy and aspiration. As he crescendoed into Mora! you could feel the pain and anger wrapped into one. If her high E flat at the end of act two was a touch effortful, she more than made up for it with some ravishingly soft singing in the final scene. The customary dark leather jacket that is a staple of the Sher operatic universe is here (its really something that the Duke of Mantua, Romeo, Count Almaviva, and Otello, all get to wear the same-looking coat at some point in their respective operas; perhaps theres some thematic connection there?) His Met repertory has also included Rodolfo in Luisa Miller and La Bohme, Vaudmont in the company premiere of Iolanta, Lenski in Eugene Onegin, the title role of Faust, Edgardo in Lucia di Lammermoor, the Chevalier des Grieux in Manon, Gustavo in Un Ballo in Maschera, and Maurizio in Adriana Lecouvreur. Digital support of The Met: Live in HD is provided by Bloomberg Philanthropies. 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